The studio
Small crew.
Full picture.
We are directors, cinematographers, editors, producers, designers and writers who got tired of watching good ideas get flattened on the way to the screen. So we built a studio where nothing leaves the room until it is right.
We are directors, cinematographers, editors, producers and writers who got tired of watching good ideas get flattened on the way to the screen. So we built a studio where nothing leaves the room until it is right.
- 01
The idea is the client.
Not the brief, not the deck. We protect the thing that made you call us, and we make it bigger.
- 02
Craft at every bit.
Light, lens, cut, sound, words. Each one done by someone who lives for it, in the same room as the others.
- 03
Built for the biggest screen.
We make it hold up on a cinema wall first. Then it will look stunning on a phone.
- 04
Quiet on set, loud on screen.
No drama, no ego, no surprises on the invoice. All the energy goes into the frame.
Why 12bit
Twelve bits. Twelve crafts. One picture.
The mark is twelve squares because a finished film is twelve crafts held at once. Most studios own two or three and send the rest around town. We keep all twelve in the room, lit from the first idea to the last bit, the one that burns tungsten: the picture you leave with.
- 01Idea & scriptIt starts as a line.
- 02Brand & identityName, mark, type, colour, voice.
- 03WebsiteFast, cinematic, phone first.
- 04DirectionSomeone has to hold the picture.
- 05ShootingOur crew, our eye.
- 06LightingLight is the shot.
- 07EditingCut, pace, every version.
- 08ColourGraded in 12-bit.
- 09VFX & SFXThe impossible shot.
- 10Music & lyricsBorn with the picture.
- 11AdvertisingThe brand, moving.
- 12The pictureIdea in. Picture out.
And the other reason
The depth where the difference lives.
A camera that records 8-bit sees 256 shades of every colour. A 12-bit one sees 4,096. Nobody can name the difference, but everybody can feel it: the sunset that does not band, the skin that stays alive in shadow, the grade that holds on a cinema wall. That gap is where we work, too: the last few bits that make a good film a beautiful one.
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